Sun 31/03/13

Four Seasons of Love (2011)

Film shows Hermione de Paula’s A/W 2011 collection. Hermione is a fashion designer based in London.

The film won a competition held by Imagine Fashion and London College of Fashion and was showcased at the London Fashion Week 2011.

Directed by Saskia Reis
Produced by Patricia Vilani
Stylist: Lynn Huang
Sound Designer: Paula Daunt

Mon 11/03/13

Part of [TRANZCD007] VA- Tranzmitter Research (Volume 2)

ARTIST: Various
RELEASE TITLE: Tranzmitter Research (Volume 2)
RELEASE DATE: 21 november 2012
FORMAT: Mp3/ 320kbps/ 44.100 MHZ more Wave (16Bits)
GENRE: Electronic
SUB-GENRE: Ambient, Experimental, IDM, Glitch, Avant-Garde, New Wave
TOTAL TIME: 01h31m45s
SIZE: 271 MB


Mon 11/03/13
Sun 15/07/12


Release Info:

Artist: Projekt Gestalten
Release Title: Absence: Reconstructions
Cat. nº: TRANZ046
Release Date: 12/06/2012
Format: MP3/320kbps/44.100 MHZ/WAVE/Flac/Ogg Vorbis
Genre: Electronic
Subgenre: Experimental, IDM, Avant Garde, Techno, Downtempo
Total Time: 59m59s
Size: 144 MB


01. Projekt Gestalten – Watching Soldiers Passing (Paula Daunt Krieg Remix)(05:34)
02. Projekt Gestalten – I’m Not Your Guy (Projekt Gestalten Remix) (07:11)
03. Projekt Gestalten – CCCP Gymnastics (Lars Leonhard Remix) (06:58)
04. Projekt Gestalten – Peace Love (Blaze Remix) (08:08)
05. Projekt Gestalten – The Edge of the Abyss (George M. Trip Mix) (06:31)
06. Projekt Gestalten – Watching Soldiers Passing By (DJ Merli Remix) (06:52)
07. Projekt Gestalten – Fuga (Zeitlupen Remix by Midnightradio11) (06:26)
08. Projekt Gestalten – Better Days (04:13)
09. Projekt Gestalten – Thinking About You (03:52)
10. Projekt Gestalten – I’m Not Your Guy (Stripped Down Piano Cut) (03:14)


Get the full release here:

Wed 07/03/12

TRANZCD006] VA- Tranzmitter Compilation (Volume 4) – Disc 3 by Tranzmitter Netlabel

Disc 3

ARTIST: Various
RELEASE TITLE: Tranzmitter Compilation (Volume 4)
RELEASE DATE: 07 march 2012
FORMAT: Mp3/ 320kbps/ 44.100 MHZ more Wave (16Bits)
GENRE: Electronic
SUB-GENRE: Ambient, Downbeat, Lounge, IDM, Illbient
TOTAL TIME: 01h29m49s
SIZE: 207 MB

03.1- Håkan Per Olsson – Ambient 3 (15:30)
03.2- Oathless – Shinigami (5:22)
03.3- Basic Elements – Eno Ambient Works (5:00)
03.4- D_e – Rainy Summer (4:00)
03.5- N.O.V.A Feat. Nina Nobrega – Luz e Cor (3:56)
03.6- Codage – System Online (2012 Mix-Feat. Dani Candal) (5:12)
03.7- Good Natured Threat – Disclosure (6:55)
03.8- Blasquez – Mr Bianguli (6:58)
03.9- PJ Waldman – Suave Na Neve (5:04)
03.10- SoftClip – Gifts From The Shoreline (5:20)
03.11- Eletromariola – Future Kidz (4:46)
03.12- Projekt Gestalten – Victim of the Stars (7:20)
03.13- Za‘Hur – Destino (9:19)
03.14- Paula Daunt – Baji’s Law (5:02)

The set “TRANZCD006] VA- Tranzmitter Compilation (Volume 4) – Disc 3″ by Tranzmitter Netlabel is licensed under a Creative Commons License.
Be aware that the related tracks might have a different license.

Wed 15/02/12

Featuring music by Steve Roden (aka In be tween noise), Pedro Tudela (akaJohnny Days), Robin Rimbaud (aka Scanner), Kate Carr (aka The Frigatebird), Shawn Kelly (aka Y?Arcka), Marielle V. Jakobsons (akadarwinsbitch), Paula Daunt (aka Agnosie), and João Ricardo (aka OCP), all working from a shared set of sounds collected and constructed by Elvis Veiguinha. Veiguinha’s field recordings originally served as the score for an installation of photos of modern urban Lisbon by Jorge Colombo.

LX(RMX) Lisbon Remixed by disquiet

A 16-page PDF including images from the exhibit that inspired this project is available for free download from

The full album is available for free download as a Zip file of MP3s, and as individual files, at

Heteronyms Reconsidered

Unlike Walt Whitman, Fernando Pessoa may not have contained multitudes, but he had a tidy set of alter-egos. He wrote under a variety of names, each with a unique biography and aesthetic. These alter-egos are referred to as “heteronyms,” and among them was Álvaro de Campos, whose poetry inspired Jorge Colombo’s photography exhibit, Lisbon Revisited, which in turn inspired this compilation album.

Heteronyms—in the form of pseudonyms and monikers—are commonplace in electronically manipulated music. Matters of identity are routinely amplified and distorted by various factors: by the semi-anonymity inherent in online communities, by the rampant splintering of genre taxonomy, by the manner in which authorship is complicated by reliance on third-party (and often emerging) technology, by the prevalence of sampling and remixing.

In tribute to Pessoa and Campos, eight electronic musicians were commissioned to explore the sounds of the city of Lisbon, as well as the creative opportunity inherent in the concept of the heteronym. The eight musicians and their eight adopted heteronyms each took a single shared sound source and created from it sixteen new audio works. The shared sound source is an ambient soundtrack of field recordings of urban Lisbon created by Elvis Veiguinha for the installation exhibit of Colombo’s photographs. This project gave each participating musician the opportunity to explore not only the sounds of the city, but also their own internalized multiple viewpoints.

Marc Weidenbaum

Hometown Revisited

In January 2009—just a few weeks before I started finger-painting NYC on an iPhone—my exhibition Lisbon Revisited opened at Casa Fernando Pessoa, a museum in Lisbon, Portugal. Based on the early 20th century poems by Portuguese poet Pessoa (writing under the name Álvaro de Campos), the show consisted of Lisbon photographs of mine in which I tried to forget all personal associations and memories of my hometown, focusing instead (like Pessoa/Campos, a fervent futurist who worshipped the splendors of Progress) on the most contemporary, most technological, most globalized aspects of my hometown. I shot today’s Lisbon like Campos would have, were he not a fictional poet stuck in he 1920s.

The exhibition’s soundtrack was created by Elvis Veiguinha, a Portuguese sound artist, music producer, and filmmaker, who used his recordings of Lisbon’s aural atmosphere. Meanwhile, in San Francisco, Disquiet’s Marc Weidenbaum has been forever perceiving Pessoa as a 21st century artist who happens to be have been dead since 1935. Veiguinha’s soundtrack became the natural link to revisit Pessoa’s Lisbon through the more recent vocabulary of remixing.

Jorge Colombo

Track Listing

01. “i’m wrapped by it as by a fog” by Steve Roden (aka In be tween noise)
02. “i have in me like a haze” by In be tween noise (aka Steve Roden)
03. “Falha” by Pedro Tudela (aka Johnny Days)
04. “RYLY” by Johnny Days (aka Pedro Tudela)
05. “Marginal Notes” by Robin Rimbaud (aka Scanner)
06. “A Heart Wound Like Clockwork” by Scanner (aka Robin Rimbaud)
07. “Sing, Sing On for No Reason” by Kate Carr (aka The Frigatebird)
08. “Noone Wonders What Lies Beyond My Local River” by the Frigatebird (aka Kate Carr)
09. “The Magic in the Music” by Shawn Kelly (aka Y?Arcka)
10. “A Working Plain” by Y?Arcka (aka Shawn Kelly)
11. “the squealing of rats and the squeaking of boards” by Marielle V Jakobsons (aka darwinsbitch)
12. “last remnants of a final illusion” by darwinsbitch (aka Marielle V Jakobsons)
13. “In Praise of Absurdity” by Paula Daunt (aka Agnosie)
14. “Prelude for a Lost Disguise” by Agnosie (aka Paula Daunt)
15. “Paz” by João Ricardo (aka OCP)
16. “Desassossego” by OCP (aka João Ricardo)
17. “Original Installation Field Recordings” by Elvis Veiguinha

. . . .

More About the Contributors

Steve Roden & In be tween noise:

Pedro Tudela & Johnny Days:

Robin Rimbaud & Scanner:

Kate Carr & The Frigatebird:

Shawn Kelly & Y?Arcka:

Marielle V. Jakobsons & darwinsbitch:

Paula Daunt & Agnosie:

João Ricardo & OCP:

Elvis Veiguinha:

. . . .

A Project
February 2012

Commissioned by Marc Weidenbaum

Audio Assistance by Taylor Deupree

Photography/Jorge Colombo


This release is licensed/ Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Wed 15/02/12

I have a very large music folder containing flexipop weirdness and synth-punk stuff. I spent a long time listening to these pearls, and gathered all those ones that made me shiver, cry, laugh hysterically or stare at the wall catatonically into one weird and wonderful mix.

I thought, due to the nature of these songs, that my mix would get 3 or 4 plays but a few music blogs picked up on it and managed to spread the message to quite a few weirdos out there. Hope you like it too.


Synth Punk Flexipop Weirdos Mix by Paula Daunt on Mixcloud

Synth Punk Flexipop Weirdos Mix // Paula Daunt by PaulaDaunt

Sat 10/12/11

Simples Mente – Paula Daunt from Paula Daunt on Vimeo.

Video by Veintitrés Equis:

Music by Paula Daunt:

Mon 03/10/11

Cowboy - Paula Daunt


Video by Veintitrés Equis:​​user/​vj23x​vj23x
Music by Paula Daunt:​

Sun 27/03/11

Agnosie, my dark ambient project, is about to come out of the oven. 2 more songs out this month (fingers crossed), EP ready in a few months and 3 haunting tasters on soundcloud. Hope you enjoy this little preview:
Averring Wind//Agnosie by PaulaDaunt

Thu 10/03/11

And I’m playing my favourites! Here is the event’s page and the venue’s details.

Soliparty für die Kontakt- und Beratungsstelle für Flüchtlinge und MigrantInnen e.V.

22.30-24 Ganz Gut
24-1 Bitches on Bikes
1-2.30 Paula Daunt
2.30-4 Nicorus
4-5.30 Karina

Sat 12/02/11

Berlin-based Paula Daunt calls this facet of her output, which goes by Agnosie, her “dark ambient project,” and she recently let two tracks loose on her account. They are tasters, as she put it, of an EP that’s close to release. “Close to release” might sum up the pleasures of one of those tracks, “Lost Serendipity,” which sounds like the effusive burst of a pop song held on a tantalizing pause that’s straining to break free.

Lost Serendipity//Agnosie by PaulaDaunt

The voice – there’s clearly a voice in there, based on texture recognition, though not on anything stated, anything intelligible, anything “legible” — is all vowels, the whole thing slurred to the point where, even if there are consonants, they’ve been shoved horizontal, from a hard plosive to a soft aura of semi-wordness. If a comparison to an existing song were necessary, then the most attenuated split second of “Personal Jesus” (the Depeche Mode radio-single version, not Johnny Cash’s mumblecore cover) might come to mind, albeit here that momentary delay extended for five and a half minutes of slomo slurry. Not that it’s all open-mouth sibilance. There’s a near-orchestral soaring that could be a guitar solo, and a rattle that seems like a drum roll pulled apart like taffy.

After yesterday’s entry on classical music being submitted to a more painstaking approach than the Bieber/Jurassic glacial stretching (“If You Slow Down Grieg You Get Ligeti”), this seemed like an appropriate bookend in advance of the weekend.

More on Daunt at and She contributed to the holiday remix project I put together at the end of 2010, Anander Mol, Anander Veig.

Tue 01/02/11

Saturday, 26th February, 2011 @ Bei Roy, Berlin

LiFeLoop (
INITIAL GAIN with Paula Daunt (

Spoken Word/Performance:
Broca Areal (
Der Bürgermeister von Neuköllnifornien (
Lady Gaby (
Paul Salamone (
Paula Varjack (
Radioséance mit Itti Minchesta (

Bei Roy, Ziegrastraße 11,
Made by

und: für den bürgermeister reicht der link aus.
herzlich, lino

Tue 01/02/11

Agnosie, my dark ambient project, is about to come out of the oven. 2 more songs out this month, EP ready in a few months and 2 haunting tasters on soundcloud. Hope you enjoy this little preview:

Lost Serendipity//Agnosie by PaulaDaunt

The Black Sky to the South of The Tagus//Agnosie by PaulaDaunt

Fri 03/12/10

The album’s content ranges widely, from the kid-friendly (the “Chag Yafe”) to lush ambient-pop renditions of “Maoz Tzur” and “Sivivon Sov Sov Sov” to hip-hop-derived takes on three klezmer favorites (“Od Yishama,” “Ose Shalom,” and “Die Goldene Chasene”) to an original by the New Klezmer Trio, “Thermoglyphics,” reimagined as a feat of traditional Eastern European android folk music. And of course it wouldn’t be a Jewish festivity without “Hava Nagila,” heard here moving back and forth between heavy synthesis and a piano/guitar performance.

As the project was nearing completion, I got in touch with a wise friend, one who knows far more Yiddish than I do—which is to say, he knows more than just words involving disappointment, food, bodily functions, and relatives. I asked my friend, “How would you say ‘remix’ in Yiddish?” Being wise, he thought better than to come up with a new word; he thought better than to reply with some snazzy neologism, some antiquated-sounding yet entirely newly created term, some ersatz steampunk Yiddish.

Instead, he sent me a steady stream of short phrases, each an attempt to probe, in Yiddish, what a remix is at its heart. The best of his probings, “anander mol, anander veig,” became the title of this set. It means, in a literal translation, “another time, another way”—old ways, reconsidered; old modes, remodeled; old music, remade.

Download entire album [.ZIP file, 47 MB] and album cover artwork


Remixes by me, Paula Daunt (Berlin, Germany), Diego Bernal (San Antonio, Texas), xntrxx, aka Harro van Duijn (Etten-Leur, Netherlands) and more.

Sun 21/11/10

After a busy month of pre-production and rehearsals, everything is now ready for the Soliparty Bogotrax gig on the 26th November.

I produced all the beats, Corrupted Files made the synth lines and noises and P-aek will be dropping the lines.

More info about the party on its page or Facebook page

Mariannenplatz 1,
10997 Berlin

Show on map

Wed 03/03/10

2010 starts with a new radio show Eletrica, broadcasted on Costa Sul FM, 104.9 on the beautiful coast of Sao Paulo, Brazil. I’m producing and presenting the weekly show and would love to listen to your productions so we can maybe play them to an enthusiastic Brazilian crowd.

Send me your track

Check out our website